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أعمال
The leaders of two armies conversing, their respective troops and camps on either side; above, Minerva observes from her chariot; set design from 'Il Pomo D'Oro'
Mathäus Küsel|Ludovico Ottavio Burnacini
1668
Cavern of Aeolus; a cave with wind gods blowing on either side of Aeolus who sits enthroned at center; set design from 'Il Pomo D'Oro'
Mathäus Küsel|Ludovico Ottavio Burnacini
1668
Atrium of the Palace of Venus; set design from 'Il Pomo D'Oro'
Mathäus Küsel|Ludovico Ottavio Burnacini
1668
Kingdom of Pluto; a view of the underworld with Pluto and Proserpina enthroned at center, surrounded by demons; set design from 'Il Pomo D'Oro'
Mathäus Küsel|Ludovico Ottavio Burnacini
1668
A woman in a chariot arrives at the ruins of a building as the Olympian gods look down from above, in the foreground stands an armed female figure; set design from 'Il Pomo D'Oro'
Mathäus Küsel|Ludovico Ottavio Burnacini
1668
Figures worshipping the statue of an armed figure; set design from 'Il Pomo D'Oro'
Mathäus Küsel|Ludovico Ottavio Burnacini
1668
Arsenal of Mars; a group of soldiers standing across from a group of women in an arsenal; ships off in the distance; set design from 'Il Pomo D'Oro'
Mathäus Küsel|Ludovico Ottavio Burnacini
1668
Figures gathered at a seaport as a ship arrives; set design from 'Il Fuoco Eterno'
Mathäus Küsel|Ludovico Ottavio Burnacini
1674
A large gathering of people in the street as a goddess races across the sky in a chariot led by four horses; set design from 'Il Fuoco Eterno'
Mathäus Küsel|Ludovico Ottavio Burnacini
1674
Masquerades and Operas
William Hogarth
1724
The Beggar's Opera
William Hogarth|John Bowles|Anonymous, British, 18th century|John Gay
1728
The Beggars Opera
John Bowles|William Hogarth|Anonymous, British, 18th century
1728
Study for "The Combate," etched vignette in "Songs in the Opera of Flora"
Hubert François Gravelot
ca. 1737
Study for "Hob Selling Beer at the Wake," etched vignette in "Songs in the Opera of Flora"
Hubert François Gravelot
ca. 1737
Study for "The Mutual Agreement," etched vignette in "Songs in the Opera of Flora"
Hubert François Gravelot
ca. 1737
Study for "On Oath's Seldom kept," etched vignette in "Songs in the Opera of Flora"
Hubert François Gravelot
ca. 1737
Faustina Bordoni and Fox
Johann Joachim Kändler|Meissen Manufactory
ca. 1743
Design for an Opera Set, a Congress of Cupids
Carlo Zucchi the Younger
18th century
Two Opera Singers
Johann Joachim Kändler|Meissen Manufactory|Charles Nicolas Cochin II
1749–50
Vertumnus and Pomona from a set of Scenes from Operas
Beauvais|François Boucher|André Charlemagne Charron
1758–76
The Tomb of Agamemnon
Louis Jean Desprez
ca. 1787
Scene in a Farce called The Quaker
Thomas Rowlandson|John Bannister|William Parsons|Charles Dibdin
December 22, 1783
The Beggar's Opera, Act III
William Blake|William Hogarth|John & Josiah Boydell|John Gay
July 1, 1790
The Beggar's Opera, Act III
William Blake|William Hogarth|John & Josiah Boydell|John Gay
July 1, 1790
Key with List of Performers and Audience to: The Beggars Opera
William Hogarth|John & Josiah Boydell|John Gay
July 1, 1790
Opera House
Rudolph Ackermann, London|Thomas Rowlandson|Auguste Charles Pugin|John Bluck
March 1, 1809
John Bull at the Italian Opera
Thomas Rowlandson
October 2, 1811
Don Juan and the Commander's Statue (Last Scene of Mozart's Don Giovanni)
Alexandre Evariste Fragonard
ca. 1825–30
Le Grand Opéra, from "Le Miroir"
Eugène Delacroix
July 26, 1821
Design for a Stage Set of a Crypt (for the Opera 'La Morosina' ?)
Carlo Ferrario
1833–1907
Design for The Magic Flute: The Hall of Stars in the Palace of the Queen of the Night, Act 1, Scene 6
Karl Friedrich Thiele|Karl Friedrich Schinkel|Ludwig Wilhelm Wittich
1847–49
Toute entière à l'étude de son rôle d'opérette..., from "Les Comediens de Société"
Honoré Daumier|Aaron Martinet|Destouches
May 8, 1858
無款 清末 京劇一百人物像 冊 絹本|One hundred portraits of Peking opera characters
Unidentified artist
late 19th–early 20th century