Aeneas Carrying Anchises in the Burning of Troy
Francesco Allegrini · Italian
Datum: 1624–63
Material: Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on mount
Maße: 3-13/16 x 5-1/8 in. (9.7 x 13.0 cm)
Klassifikation: Drawings
Themen: Aeneas, Fire, Human Figures
Gift of Cornelius Vanderbilt, 1880
Datumsbereich
1624 – 1663
Größte Ausdehnung
13.0 cm
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Verwandte Werke in dieser Abteilung
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
Portrait of Alain de Coëtivy (1407–1474)
Jean Fouquet
ca. 1451–55
Christ Carrying the Cross
Martin Schongauer
ca. 1475–80
The Censer
Martin Schongauer|Georg Schongauer
1470–91
Bacchanal with a Wine Vat
Andrea Mantegna
Before 1475
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
Weitere Werke dieses Künstlers
Design for a Garden Fête with a Semi-circular Wall and Statues in Niches.
1615–79
The Departure of Aeneas Announced to Dido?
1624–63
Two Horses
1624–63
Standing Male Figure with Cloak and Staff
1624–63
Unidentified Scene: Figures in a Landscape
1624–63
Cavalry Engagement
1624–63
Seated Female Nude and Dancing Female Figure
1624–63
Battle Scene
1624–63
Zeitgenössische Werke
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen
ca. 1624–25
Carpet with Scrolling Vines and Blossoms
Unbekannter Künstler
ca. 1650
Lute Player
Valentin de Boulogne
ca. 1625–26
The Immaculate Conception
Guido Reni
1627
Portrait of Charlotte Duchesne
Philippe de Champaigne
ca. 1628
Academie de l'espee; ou se domonstrent par reigles mathématiques sur le fondement d'un cercle mystérieux, la théorie et pratique des vrais . . .
Girard Thibault|probably the Elseviers of Leyden|probably A. Boslwert
1628
The Lovers
Riza-yi 'Abbasi
dated 1039 AH/1630 CE
Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century
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