Library and Chapel, University of Michigan, Ann Arbor (front elevation)
Alexander Jackson Davis · American
Datum: 1838–39
Material: Watercolor, ink and graphite on paper
Maße: sheet: 31 3/8 x 26 1/8 in. (79.7 x 66.4 cm)
Klassifikation: Drawings|Ornament & Architecture
Themen: Architecture, Libraries
Harris Brisbane Dick Fund, 1924
Datumsbereich
1838 – 1839
Größte Ausdehnung
66.4 cm
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Verwandte Werke in dieser Abteilung
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
Portrait of Alain de Coëtivy (1407–1474)
Jean Fouquet
ca. 1451–55
Christ Carrying the Cross
Martin Schongauer
ca. 1475–80
The Censer
Martin Schongauer|Georg Schongauer
1470–91
Bacchanal with a Wine Vat
Andrea Mantegna
Before 1475
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
Weitere Werke dieses Künstlers
A. J. Davis, Scrapbook VI
n.d.
A. J. Davis, Scrapbook V
n.d.
Design for a University (entrance façade and plan)
n.d.
A. J. Davis, Scrapbook IV
n.d.
A. J. Davis, Scrapbook VII
19th century
Syllabus Row, New York
19th century
Diary
19th century
New York University College of Physicians and Surgeons, Buildings and Other Material
19th century
Zeitgenössische Werke
Wrack
William Henry Fox Talbot
1839
Architecture arabe : ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826
Pascal Coste|Firmin Didot Freres
1839
On Painting in Oil and Water Colours, Landscape and Portraits . . .
Theodore Henry Adolphus Fielding
1839
Sampler
Susan Bushey
1838
Nancy Kellogg
James Whitehorne
1838
Still Life with Ewer and Fruit
Carducius Plantagenet Ream
Datum unbekannt
A. L. Clements
John Wood Dodge
1838
Still Life with Grapes
Carducius Plantagenet Ream
Datum unbekannt
Verwandte Leitfäden
Science and the Curiosity Cabinet: Objects as Instruments of Inquiry
Art History
Architecture in the Collection: Buildings as Objects
Art History
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