Diogenes Throwing His Cup to the Ground
Anonymous, French, 17th century · French
Datum: 17th century
Material: Pen and brown ink, brush and brown and gray wash. Framing lines in pen and brown ink, graphite.
Maße: 6 5/8 x 4 in. (16.8 x 10.1 cm)
Klassifikation: Drawings
Themen: Cups
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953
Datumsbereich
1600 – 1699
Größte Ausdehnung
10.1 cm
Advertisement
Verwandte Werke in dieser Abteilung
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
Portrait of Alain de Coëtivy (1407–1474)
Jean Fouquet
ca. 1451–55
Christ Carrying the Cross
Martin Schongauer
ca. 1475–80
The Censer
Martin Schongauer|Georg Schongauer
1470–91
Bacchanal with a Wine Vat
Andrea Mantegna
Before 1475
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
Weitere Werke dieses Künstlers
Heads of Goddesses (Pallas, Venus, Juno)
ca. 1600
Heads of Goddesses (Flora, Diana, Ceres)
ca. 1600
The Adoration of the Shepherds
17th century
Landscape
17th century
Portrait of a Man
early 17th century
Allegory of Abundance
17th century
Sacrificial Procession
17th century
Sketch for Adoration of the Kings
early 17th century
Zeitgenössische Werke
Goblet
Unbekannter Künstler
17th century
Bust of Pseudo-Seneca
Peter Paul Rubens
1600–1626
Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)|Jean Cour (or Court)
probably early 17th century
Saint Jerome as Scholar
El Greco (Domenikos Theotokopoulos)
ca. 1610
近衛信尹書 狩野孝信工房作 三十六歌仙図屏風|The Thirty-Six Poetic Immortals
Studio of Kano Takanobu|Konoe Nobutada
early 17th century
Koto (箏)
Metalwork by Goto Teijo, 9th generation Goto master, Japan|Gotō Yūjō
early 17th century
Double Virginal
Lodewijck Grouwels
1600
Velvet Panel with Flowering Plants
Unbekannter Künstler
first half 17th century
Datenquelle · Auf metmuseum.org ansehen