Harbor with rising sun, figures in foreground, colonnade on left
Claude Lorrain (Claude Gellée) · French
Datum: ca. 1634
Material: Etching
Maße: Sheet (trimmed irregularly to plate mark): 4 7/8 × 7 9/16 in. (12.4 × 19.2 cm)
Klassifikation: Prints
Bequest of Phyllis Massar, 2011
Datumsbereich
1634 – 1635
Größte Ausdehnung
19.2 cm
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Verwandte Werke in dieser Abteilung
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
Portrait of Alain de Coëtivy (1407–1474)
Jean Fouquet
ca. 1451–55
Christ Carrying the Cross
Martin Schongauer
ca. 1475–80
The Censer
Martin Schongauer|Georg Schongauer
1470–91
Bacchanal with a Wine Vat
Andrea Mantegna
Before 1475
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
Weitere Werke dieses Künstlers
The Trojan Women Setting Fire to Their Fleet
ca. 1643
Queen Esther Approaching the Palace of Ahasuerus
1658
Perseus and the Origin of Coral
ca. 1671
View of Civitavecchia
17th century
A Port Scene
17th century
The Rest on the Flight into Egypt (recto); The Arch of Titus, Camp Vaccino (verso)
17th century
Sunrise (recto); Landscape with Figures (verso)
17th century
The Flight into Egypt
ca. 1630–31
Zeitgenössische Werke
Guqin (古琴 )
Prince Lu
1634
Covered box
Unbekannter Künstler
mid-17th century
Thangka
Unbekannter Künstler
mid-17th century
목조 보살 좌상 조선|木造菩薩坐像 朝鮮|Seated bodhisattva (left attendant of a triad)
Unbekannter Künstler
ca. mid-17th century
The Last Supper, after Leonardo da Vinci
Rembrandt (Rembrandt van Rijn)
1634–35
Self-Portrait, from "The Iconography"
Anthony van Dyck|Anthony van Dyck
ca. 1640
The Penitent Magdalen
Georges de La Tour
ca. 1640
Portrait of a woman as a shepherdess
Crispijn de Passe the Younger
1635-40
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