Venus and Cupid
Allart van Everdingen · Dutch
Material: Mezzotint
Maße: 6 3/8 × 4 15/16 in. (16.2 × 12.5 cm)
Klassifikation: Prints
Purchase, Harris Brisbane Dick Fund, Rogers Fund, Joseph Pulitzer Bequest, and Gift of Henry Walters, by exchange, 1970
Datumsbereich
1621 – 1675
Größte Ausdehnung
12.5 cm
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Verwandte Werke in dieser Abteilung
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
Portrait of Alain de Coëtivy (1407–1474)
Jean Fouquet
ca. 1451–55
Christ Carrying the Cross
Martin Schongauer
ca. 1475–80
The Censer
Martin Schongauer|Georg Schongauer
1470–91
Bacchanal with a Wine Vat
Andrea Mantegna
Before 1475
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
Weitere Werke dieses Künstlers
The Fourth Spring
Datum unbekannt
The Hamlet on the Mountain Side
mid-17th century
The Two Barrels before a Hut
Datum unbekannt
The Fourth Spring
Datum unbekannt
The Large Rock at the River
Datum unbekannt
Three Capuchins Seated
Datum unbekannt
The Hamlet on the Mountain Side
mid-17th century
The Large Rock
mid-17th century
Zeitgenössische Werke
Lucas van Uffel (died 1637)
Anthony van Dyck
ca. 1622
Border Designs for the Mortlake "Acts of the Apostles" Tapestries
Franz Cleyn
ca. 1626–36
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen
ca. 1624–25
Carpet with Scrolling Vines and Blossoms
Unbekannter Künstler
ca. 1650
Lute Player
Valentin de Boulogne
ca. 1625–26
The Immaculate Conception
Guido Reni
1627
Portrait of Charlotte Duchesne
Philippe de Champaigne
ca. 1628
Academie de l'espee; ou se domonstrent par reigles mathématiques sur le fondement d'un cercle mystérieux, la théorie et pratique des vrais . . .
Girard Thibault|probably the Elseviers of Leyden|probably A. Boslwert
1628
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