Capitals

Drawings and Prints

59 パブリックドメイン

Photographs

3 パブリックドメイン

American Decorative Arts

1 パブリックドメイン

Drawings|Ornament & Architecture

24 パブリックドメイン

Prints

18 パブリックドメイン

Prints|Ornament & Architecture

9 パブリックドメイン

Drawings

6 パブリックドメイン

Photographs

3 パブリックドメイン

Books

1 パブリックドメイン

Prints|Ornament & Architecture|Albums

1 パブリックドメイン

Pantheon, portico, plan (recto); Pantheon, portico, details and perspective (verso)

Anonymous, French, 16th century

early to mid-16th century

Palazzo dei Conservatori, Ionic capital, elevation (recto); Palazzo dei Conservatori, Ionic capital, plan and projection (verso)

Anonymous, French, 16th century

early to mid-16th century

St. Peter's, Corinthian capital, elevation; base, elevation; volute, end elevation, profile, and view from below (recto); St. Peter's, Corinthian capital, acanthus leaf details and profiles of two cornice mouldings (verso)

Anonymous, French, 16th century

early to mid-16th century

Pantheon, entablature and column pilaster capital, projection; rosette, details; capital profile; base, profile; pilaster, plan (recto); Pantheon, rectangular niche, perspective (verso)

Anonymous, French, 16th century

early to mid-16th century

Unidentified, Ionic capitals, two front and side elevations (recto); Doric impost, elevation of entablature (verso)

Anonymous, French, 16th century

early to mid-16th century

Unidentified, Ionic capital, front and side elevations with small studies (recto); calculation notes (verso)

Anonymous, French, 16th century

early to mid-16th century

Temple of Portonus, capital, elevations and plan (recto); Unidentified, capital, elevation (verso)

Anonymous, French, 16th century

early to mid-16th century

Unidentified, Ionic capital, elevation, front and side (recto); Unidentifed, Ionic capital, section, detail; Ionic capital, elevation, detail (verso)

Anonymous, French, 16th century

ca. 1540–60

Unidentified, Ionic capital, elevation

Anonymous, French, 16th century

early to mid-16th century

Arch of Septimius Severus, pilaster capital, elevation; impost and arch elevation; detail

Anonymous, French, 16th century

early to mid-16th century

Unidentified Corinthian capital, elevation, section, and ceiling plan

Anonymous, French, 16th century

early to mid-16th century

Temple of Minerva, elevation of cornice (recto); Temple of Minerva, elevation of capital and base (verso)

Anonymous, French, 16th century

early to mid-16th century

Composite capital, plan, elevation, and details; frieze, detail (recto); Forum of Nerva, entablature and attic, profiles; portico, perspective, and cornice, profile (verso)

Anonymous, French, 16th century

early to mid-16th century

S. Maria in Trastevere, Ionic capital, volute, side elevation (recto); Unidentified, Ionic capital volute, construction diagram (verso)

Anonymous, French, 16th century

early to mid-16th century

S. Maria in Trastevere, Ionic capital, side elevation (recto); Unidentified, Ionic capital volute, construction diagram (verso)

Anonymous, French, 16th century

early to mid-16th century

Pantheon, perspective elevation, partial plans, Corinthian pilaster capital and alcove details (recto); Pantheon, perspective sections, alcove elevations, partial plans (verso)

Anonymous, French, 16th century

early to mid-16th century

The Arch of Constantine, Rome, from "Speculum Romanae Magnificentiae"

Agostino Veneziano (Agostino dei Musi)|Antonio Salamanca

ca. 1514–36

Composite capital with measurements

Monogrammist G.A. with the Caltrop

ca. 1530–40

Ionic Capital

Monogrammist G.A. with the Caltrop

ca. 1530–40

Doric capital with measurements

Monogrammist G.A. with the Caltrop

ca. 1530–40

Doric capital, from "Speculum Romanae Magnificentiae"

Agostino Veneziano (Agostino dei Musi)

1528

Ionic Capital, from "Speculum Romanae Magnificentiae"

Agostino Veneziano (Agostino dei Musi)

1528

Composite capital, from "Speculum Romanae Magnificentiae"

Monogrammist G.A. with the Caltrop

16th century

Pegasus capital from the Temple of Mars Ultor and decorated base, from "Speculum Romanae Magnificentiae"

Monogrammist G.A. with the Caltrop

ca. 1537

Decorated capital and base, from "Speculum Romanae Magnificentiae"

Monogrammist G.A. with the Caltrop

ca. 1537

Capital with heads and masks, from "Speculum Romanae Magnificentiae"

Monogrammist G.A. with the Caltrop

ca. 1537

Composite of Corinthian and Ionic, from "Speculum Romanae Magnificentiae"

Monogrammist G.A. with the Caltrop

ca. 1537

Capital with ram heads and masks, from "Speculum Romanae Magnificentiae"

Monogrammist G.A. with the Caltrop

ca. 1537

Ionic capital, from "Speculum Romanae Magnificentiae"

Monogrammist G.A. with the Caltrop

ca. 1537

Ionic capital, from "Speculum Romanae Magnificentiae"

Monogrammist G.A. with the Caltrop

ca. 1537

Capital with peapod volutes and satyr head, from "Speculum Romanae Magnificentiae"

Monogrammist G.A. with the Caltrop

ca. 1537

Basket capital with fruit and satyr head, from "Speculum Romanae Magnificentiae"

Monogrammist G.A. with the Caltrop

ca. 1537

Corinthian capital, from "Speculum Romanae Magnificentiae"

Master PS|Jacques Prevost de Gray

1535

Corinthian capital, from "Speculum Romanae Magnificentiae"

Agostino Veneziano (Agostino dei Musi)|Marcantonio Raimondi

1536

Corinthian capital, from "Speculum Romanae Magnificentiae"

Master PS|Jacques Prevost de Gray

1537

Column of Antoninus and a Roman Obelisk, from "Speculum Romanae Magnificentiae"

Enea Vico|Anonymous, Italian, 16th century|Antonio Lafreri

ca. 1543–70

Decorated capital and base in the Temple of Jupiter, Rome, from "Speculum Romanae Magnificentiae"

Monogrammist G.A. with the Caltrop

ca. 1537

Unknown, Corinthian capital, elevation (recto); Unknown, Corinthian capital, plan diagram and detail (verso)

Anonymous, French, 16th century

ca. 1540–60

Capital of Composite Order, from "Speculum Romanae Magnificentiae"

Léon Davent|Francesco Primaticcio

mid-16th century

Capital and Base of a Column

Sebald Beham

1543

Capital and Base of a Column

Sebald Beham

1545

Capital in the Composite Order and Various Architectural Details

Hugues Sambin

ca. 1554–60

Fragment of a Capital

Anonymous, French, 18th century

18th century

Drawing for a Capital

Anonymous, Italian, 18th century

18th century

Capital with Acanthus Leaves

Anonymous, French, 18th century

18th century

Drawing of Capital from the Vatican

Anonymous, French, 18th century

18th century

Designs for a Capital, and for a Doorway

Anonymous, Italian, Piedmontese, 18th century

1700–1780

Various Roman Ionic capitals compared with Greek examples from Le Roy [S. Maria in Trastevere, S. Paoplo fuori le Mura, S. Clemente, etc.], tab. 20 from "Della Magnificenza e d'Architettura de'Romani" (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)

Giovanni Battista Piranesi

mid-18th century

Suggestion for the Decoration of Top Right Side of Portal, plate 1 from "Allerneueste Façon von Auszierungen zu Portalen"

Martin Engelbrecht|Jeremias Wachsmuth

printed ca. 1750–56

The General Proportions of the Composite Order, in Chippendale Drawings, Vol. I

Thomas Chippendale

1753

Cornice and column from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from "Le Antichità Romane"

Giovanni Battista Piranesi

1756

The British Order: Elevation of a Capital and Part of the Fluted Shaft

James Adam

1762

The Gold Capital of a Column

W. Schrader|Johann Eduard Jacobsthal

19th century

Capital (from Sketchbook)

John William Casilear

1834, 1838

Capital, near the Jaffa Gate, Jerusalem (184. Jerusalem, près de la porte de Jaffa. chap.)

Joseph-Philibert Girault de Prangey

1844

Capital of a Column with Anthemion

Alfred Henry Forrester [Alfred Crowquill]

1845–70

Composite Order from Rome

Alfred Henry Forrester [Alfred Crowquill]

1845–70

Capital of a Column with Anthemion

Alfred Henry Forrester [Alfred Crowquill]

1845–70

Corinthian Order from Tivoli

Alfred Henry Forrester [Alfred Crowquill]

1845–70

Jérusalem, Saint Sépulcre, détails des chapiteaux

Imprimerie photographique de Blanquart-Évrard, à Lille|Auguste Salzmann

1854