The more beautiful the drama, the more sad the orchestra is to hear, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville|Joseph Hippolyte Jules Caqué|Honoré de Balzac · French|French|French
Дата: ca. 1837–47
Материал: Wood engraving
Размеры: Sheet: 10 3/8 × 7 3/16 in. (26.3 × 18.3 cm)
Классификация: Prints
The Elisha Whittelsey Collection. The Elisha Whittelsey Fund, 1959
Временной диапазон
1832 – 1852
Крупнейший размер
18.3 cm
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Другие работы этого художника
The Chameleon declares that he is happy and proud to be, as always, of the same opinion as everyone, from "Scenes from the Private and Public Life of Animals"
ca. 1837–47
My captor was one of the king's lackeys, from "Scenes from the Private and Public Life of Animals"
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He was a regular on the front lines..., from "Scenes from the Private and Public Life of Animals"
ca. 1837–47
There are men who walk around begging on fertile ground, from "Scenes from the Private and Public Life of Animals"
ca. 1837–47
The studies are painful, expensive; but the students are intrepid, from "Scenes from the Private and Public Life of Animals"
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A Stork was called to the presidency..., from "Scenes from the Private and Public Life of Animals"
ca. 1837–47
The favorite object of his studies is the collection of Idylles by Madame Deshoulières, from "Scenes from the Private and Public Life of Animals"
ca. 1837–47
The occupations of my contemplative life were very simple, from "Scenes from the Private and Public Life of Animals"
ca. 1837–47
Современные работы
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1832
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Cornet à Pistons in B-flat
Courtois frères
1833
Pair of Transverse Flutes
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mid-18th century
[The Oriel Window, South Gallery, Lacock Abbey]
William Henry Fox Talbot
probably 1835
Mrs. Mayer and Daughter
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1835–40
Hagar in the Wilderness
Camille Corot
1835
Lupona (royal seat)
Ngongo ya Chintu, formerly known as the "Buli Master"
ca. 1840–1870
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